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Synopsis
Aeschylus I contains "The Persians," translated by Seth Benardete; "The Seven Against Thebes," translated by David Grene; "The Suppliant Maidens," translated by Seth Benardete; and "Prometheus Bound," translated by David Grene.
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides' Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles's satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Review
Mark Griffith is a professor of classics and of theater, dance, and performance studies at the University of California, Berkeley. He lives in Albany, CA. Trained at Cambridge, Griffith is an enormously accomplished expert on the Greek Tragedies. Glenn W. Most studied at Harvard, Oxford, and Yale and is currently professor of ancient Greek at the Scuola Normale Superiore di Pisa, and a visiting member of the Committe on Social Thought at the University of Chicago. He divides his time between Pisa, Florence, and Chicago. Richmond Lattimore (1906-1984) was a poet, translator, and longtime professor of Greek at Bryn Mawr College. David Grene (1913-2002) taught classics for many years at the University of Chicago. He was a founding member of the Committee on Social Thought.Aeschylus I
Aeschylus I contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
The third edition of this volume includes newly revised, authoritative and compelling translations of four timeless works by the Ancient Greek tragedian."
Four Plays of Aeschylus
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The Suppliants pays tribute to the democratic undercurrents running through Athens in advance of the establishment of a democratic government in 461. In the play, the Danaids, the fifty daughters of Danaus, founder of Argos, flee a forced marriage to their cousins in Egypt. They turn to King Pelasgus of Argos for protection, but Pelasgus refuses until the people of Argos weigh in on the decision, a distinctly democratic move on the part of the king. The people decide that the Danaids deserve protection, and they are allowed within the walls of Argos despite Egyptian protests. The Persians is based on experiences in Aeschylus's own life, specifically the Battle of Salamis. It is unique among surviving Greek tragedies in that it describes a recent historical event. The Persians focuses on the popular Greek theme of hubris by blaming Persia's loss on the pride of its king. It opens with the arrival of a messenger in Susa, the Persian capital, bearing news of the catastrophic Persian defeat at Salamis to Atossa, the mother of the Persian King Xerxes. Atossa then travels to the tomb of Darius, her husband, where his ghost appears to explain the cause of the defeat. It is, he says, the result of Xerxes' hubris in building a bridge across the Hellespont, an action which angered the gods. Xerxes appears at the end of the play, not realizing the cause of his defeat, and the play closes to lamentations by Xerxes and the chorus. Seven against Thebes has the contrasting theme of the interference of the gods in human affairs. It also marks the first known appearance in Aeschylus's work of a theme which would continue through his plays, that of the polis (the city) being a key development of human civilization. The play tells the story of Eteocles and Polynices, the sons of the shamed King of Thebes, Oedipus. The sons agree to alternate in the throne of the city, but after the first year Eteocles refuses to step down, and Polynices wages war to claim his crown. The brothers kill each other in single combat, and the original ending of the play consisted of lamentations for the dead brothers. Prometheus Bound, is attributed to Aeschylus by ancient authorities. The play consists mostly of static dialogue, as throughout the play the Titan Prometheus is bound to a rock as punishment from the Olympian Zeus for providing fire to humans. The god Hephaestus, the Titan Oceanus, and the chorus of Oceanids all express sympathy for Prometheus' plight. Prometheus meets Io, a fellow victim of Zeus' cruelty; and prophesies her future travels, revealing that one of her descendants will free Prometheus. The play closes with Zeus sending Prometheus into the abyss because Prometheus refuses to divulge the secret of a potential marriage that could be Zeus' downfall.
Thank you for checking out this book by Theophania Publishing."
Four Plays: The Suppliant Maidens, the Persians, the Seven Against Thebes, Prometheus Bound
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."
The Suppliant Maidens, The Persians, The Seven Against Thebes, The Prometheus Bound
Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original."
The Suppliant Maidens, the Persians, the Seven Against Thebes, Prometheus Bound
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them."
The Suppliant Maidens, the Persians, the Seven Against Thebes, the Prometheus Bound of Aeschylus
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."
The Suppliant Maidens, the Persians, the Seven Against Thebes, the Prometheus Bound of Aeschylus - Scholar's Choice Edition
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."
The Suppliant Maidens, the Persians, the Seven Against Thebes, the Prometheus Bound. Translated Into English Verse by E.D.A. Morshead
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."
SUPPLIANT MAIDENS THE PERSIANS
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it."
The Seven Against Thebes
Oedipus's sons vie for the Theban crown. The victor, Eteocles, expels his brother, Polyneices, who flees to Argos and recruits a force of 7 champions to lead an assault on Thebes, with tragic results.
Oedipus's sons vie for the Theban crown. The victor, Eteocles, expels his brother, Polyneices, who flees to Argos and recruits a force of 7 champions to lead an assault on Thebes, with tragic results."
A Companion to Aeschylus
A COMPANION TO AESCHYLUS In A Companion to Aeschylus, a team of eminent Aeschyleans and brilliant younger scholars delivers an insightful and original multi-authored examination—the first comprehensive one in English—of the works of the earliest surviving Greek tragedian. This book explores Aeschylean drama, and its theatrical, historical, philosophical, religious, and socio-political contexts, as well as the receptions and influence of Aeschylus from antiquity to the present day. This companion offers readers thorough examinations of Aeschylus as a product of his time, including his place in the early years of the Athenian democracy and his immediate and ongoing impact on tragedy. It also provides comprehensive explorations of all the surviving plays, including Prometheus Bound, which many scholars have concluded is not by Aeschylus. A Companion to Aeschylus is an ideal resource for students encountering the work of Aeschylus for the first time as well as more advanced scholars seeking incisive treatment of his individual works, their cultural context and their enduring significance. Written in an accessible format, with the Greek translated into English and technical terminology avoided as much as possible, the book belongs in the library of anyone looking for a fresh and authoritative account of works of continuing interest and importance to readers and theatre-goers alike.
All that You've Seen Here Is God: New Versions of Four Greek Tragedies : Sophocles' Ajax, Philoctetetes, and Women of ... Aeschylus I: The Persians , The Seven Against Thebes , The Suppliant Maidens , Prometheus Bound ; Aeschylus II: The ..."
Persians and Three Other Plays
The tragedies in this volume of Aeschylus' works demonstrate the ills and flaws of the old ways of Politics and of Justice and demonstrate the virtues of the new ways, the democratic ways, the ways that included the common man as a "man-equal-to-all-men," in fact to all gods, including Zeus. These ills and flaws of the old ways of pursuing justice through vengeance, revenge and blood-for-blood vendettas were acted out on a most brutal stage in the series of tragedies based on myths well known to the audience. Here the poet exhorts his fellow Athenians to give power not to a single man, as did the Persians with their kings but to each other. Their neighbours, their friends, their equals. Justice and Politics are best served by a unified group of equals rather than by a single man, or God, like Zeus.
The tragedies in this volume of Aeschylus' works demonstrate the ills and flaws of the old ways of Politics and of Justice and demonstrate the virtues of the new ways, the democratic ways, the ways that included the common man as a "man ..."
The Complete Aeschylus
Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. The volume brings together four major works by one of the great classical dramatists: Prometheus Bound, translated by James Scully and C. John Herrington, a haunting depiction of the most famous of Olympian punishments; The Suppliants, translated by Peter Burian, an extraordinary drama of flight and rescue arising from women's resistance to marriage; Persians, translated by Janet Lembke and C. John Herington, a masterful telling of the Persian Wars from the view of the defeated; and Seven Against Thebes, translated by Anthony Hecht and Helen Bacon, a richly symbolic play about the feuding sons of Oedipus. These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers.
These four tragedies were originally available as single volumes. This new volume retains the informative introductions and explanatory notes of the original editions and adds a single combined glossary and Greek line numbers."
Encyclopedia of Literary Translation Into English: A-L
Includes articles about translations of the works of specific authors and also more general topics pertaining to literary translation.
Translations Complete Plays ( by various hands ) Grene , David and Richmond Lattimore ( editors ) , The Complete Greek ... 1922 ( contains The Suppliant Maidens , The Persians , The Seven against Thebes , The Prometheus Bound ) Cookson ..."
A Commentary on The Complete Greek Tragedies. Aeschylus
This commentary offers a rich introduction and useful guide to the seven surviving plays attributed to Aeschylus. Though it may profitably be used with any translation of Aeschylus, the commentary is based on the acclaimed Chicago translations, The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore. James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law athletic contests, relations with neighboring states, beliefs about the underworld, and countless other details of Hellenic life. Hogan clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as are maps and illustrations, a bibliography, indexes, and extensive cross-references between the seven plays. Forthcoming volumes will cover the works of Sophocles and Euripides.
Prentice-Hall Greek Drama Series. ... The Suppliant Maidens Johansen, H. Friis. The Suppliants . Volume 1, Greek text and translation. ... Verrall, A. W., and Bayfield, M. A. The “ Seven against Thebes ” of Aeschylus . Greek text ..."
Prometheus Bound and Other Plays
Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre. In "Suppliant Maidens," the fifty daughters of Danaus flee from marriages to the fifty sons of their uncle, showing an obedience to their father that has tragic consequences. "The Persians" is thought to be the oldest surviving play still in existence today, and is additionally unique because it focuses on the enormous defeat of the Persian King Xerxes rather than a myth distant even to the ancient Greeks. The gods are punishing the hubris of the Persians to the point at which even the Greeks feel some sympathy for them. In "The Seven Against Thebes," the battle for the throne of Thebes upon the banishment of Oedipus pits two brothers against each other in a fatal bout of single combat. Finally, "Prometheus Bound" explores the myth of a Titan and his punishment from Zeus for giving fire and knowledge to mankind. Though all of the plays differ widely in plot, the enduring quality of the characters and dialogue within these dramas are a testament to the considerable skill of Aeschylus.
Often recognized as the father of tragedy, this collection of plays by the ancient Greek soldier and playwright Aeschylus is a testament to his skill and enduring legacy in the history of theatre."
Ottemiller's Index to Plays in Collections
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Agamemnon 1 Aeschylus . The Eumenides 1 Aeschylus . The Libation Bearers 1 Aeschylus . The Persians 1 Aeschylus . Prometheus Bound 1 Aeschylus . Seven against Thebes 1 Aeschylus . The Suppliant Maidens 1 Euripides. Alcestis 3 Euripides."
Aeschylus
An extraordinary drama of flight and rescue arising from women's resistance to marriage, The Suppliants is surprising both for its exotic color and for its forceful enactment of the primal struggle between male and female, lust and terror, brutality and cunning. In his translation of this ancient Greek drama, Peter Burian introduces a new generation of readers to a powerful work of Aeschylus' later years. He conveys the strength and daring of Aeschylus' language in the idiom of our own time, while respecting what is essentially classical in this dramatist's art: the rigor of the formal constraint with which he compresses high emotion to the bursting point. The Suppliants, which is the first and only surviving part of a trilogy, does not conform to our expectations of Greek drama in that it has neither hero, nor downfall, nor tragic conclusion. Instead the play portrays unresolved conflicts of sexuality, love, and emotional maturity. These distinctly modern themes come alive in a translation that re-creates the psychological immediacy as well as the dramatic tension of this ancient work. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions."
Aeschylus - Seven Plays
The importance of Aeschylus in the development of the drama is immense. Before him tragedy had consisted of the chorus and one actor; and by introducing a second actor, expanding the dramatic dialogue thus made possible, and reducing the lyrical parts, he practically created Greek tragedy, as we understand it. Like other writers of his time, he acted in his own plays, and trained the chorus in their dances and songs; and he did much to give impressiveness to the performances by his development of the accessories of scene and costume on the stage. Of the seventy or eighty plays which he is said to have written, only seven survive: "The Suppliant Maidens," on the daughters of Danas; "The Persians," dealing with the defeat of Xerxes at Salamis; "The Seven against Thebes," part of a tetra logy on the legend of Thebes; "Prometheus Bound," part of a trilogy, of which the first part was probably "Prometheus, the Fire-bringer," and the last, "Prometheus Unbound; " and the "Oresteia (The House of Atreus)," the only example of a complete Greek tragic trilogy which has come down to us, consisting of "Agamemnon, Choephorae (The Libation-Bearers)," and the "Eumenides (The Furies)." The Oresteian trilogy on "The House of Atreus" is one of the supreme productions of all literature. It deals with the two great themes of the retribution of crime and the inheritance of evil; and here a parallel may be found between the assertions of the justice of God by Aeschylus and by the Hebrew prophet Ezekiel. The nobility of thought and the majesty of style with which these ideas are set forth give this triple drama its place at the head of the literary masterpieces of the antique world.
The importance of Aeschylus in the development of the drama is immense."
Aeschylus: Seven Against Thebes
One of our earliest surviving Greek tragedies, Aeschylus' Seven Against Thebes is an extraordinarily rich poetic text. It dramatises the civil war between the sons of Oedipus Polynices - the exile, and Eteocles - reigning king of Thebes. Polynices marches on Thebes to regain his throne along with six other champion warriors and their armies, but the expedition is doomed, and the meaning of Oedipus' enigmatic curse on his sons ultimately becomes clear through their simultaneous fratricide and the extinction of the Theban house. This book places the drama within the context of the connected trilogy of which it was a part. It investigates the play's tensions between city and family and the omnipresence of curse and ritual within the religious and political environment of fifth century Greece. The drama's focus on the world of male warriors, and its stark opposition of the sexes through the female Chorus, is analysed in terms of warrior ideology in epic and Greek understanding of appropriate behaviour. Finally, it explores the complex legacy of the play through its influence on Sophocles and Euripides, and shows how the drama's condemnation of civil war has been exploited as an analogue for events in modern history. This is part of a series of accessible introductions to ancient tragedies. Each volume discusses the main themes of a play and the central developments in modern criticism, while also addressing the play's historical context and the history of its performance and adaptation.
Early Greek Myth: A Guide to Literary and Artistic Sources (Baltimore and London: Johns Hopkins University Press, 1993). ... The Suppliant Maidens and The Persians translated by S.G. Bernadete, Seven Against Thebes and Prometheus Bound ..."
The Suppliant Women
If we help, we invite trouble. If we don't, we bring shame.Fifty women board a boat in North Africa. They flee across the Mediterranean, leaving everything behind. They are escaping forced marriage in their home and seeking asylum in Greece.Written 2,500 years ago, The Suppliant Women is one of the world's oldest plays. It's about the plight of refugees, about moral and human rights, civil war, democracy and ultimately the triumph of love. It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology. It explores fundamental questions of humanity: who are we, where do we belong and, if all goes wrong, who will take us in?Aeschylus' The Suppliant Women, in a version by David Greig, premiered at the Lyceum Theatre, Edinburgh, in October 2016, in a production by ATC.
It tells a story that echoes down the ages to find striking and poignant resonance today.Featuring in performance a chorus of local women, this is part play, part ritual, part theatrical archaeology."
The Scaffolding of Sovereignty
What is sovereignty? Often taken for granted or seen as the ideology of European states vying for supremacy and conquest, the concept of sovereignty remains underexamined both in the history of its practices and in its aesthetic and intellectual underpinnings. Using global intellectual history as a bridge between approaches, periods, and areas, The Scaffolding of Sovereignty deploys a comparative and theoretically rich conception of sovereignty to reconsider the different schemes on which it has been based or renewed, the public stages on which it is erected or destroyed, and the images and ideas on which it rests. The essays in The Scaffolding of Sovereignty reveal that sovereignty has always been supported, complemented, and enforced by a complex aesthetic and intellectual scaffolding. This collection takes a multidisciplinary approach to investigating the concept on a global scale, ranging from an account of a Manchu emperor building a mosque to a discussion of the continuing power of Lenin’s corpse, from an analysis of the death of kings in classical Greek tragedy to an exploration of the imagery of “the people” in the Age of Revolutions. Across seventeen chapters that closely study specific historical regimes and conflicts, the book’s contributors examine intersections of authority, power, theatricality, science and medicine, jurisdiction, rulership, human rights, scholarship, religious and popular ideas, and international legal thought that support or undermine different instances of sovereign power and its representations.
... ed., The Complete Greek Tragedies , 3rd ed., ed. Mark Griffith and Glenn W. Most, Aeschylus I: The Persians , The Seven Against Thebes , The Suppliant Maidens , Prometheus Bound (Chicago: University of Chicago Press, 2013), 194–95. 17."
Translating and Adapting Aeschylus' Seven Against Thebes in the United States
After centuries of neglect, Aeschylus’ Seven Against Thebes has gained increasing prominence worldwide and in the United States in particular, where a hip-hop production caught the public imagination in the new millennium. This study analyses three translations of Aeschylus’ tragedy (by Helen H. Bacon and Anthony Hecht, 1973; Stephen Sandy, 1999; and Carl R. Mueller, 2002) and two adaptations (by Will Power, 2001-2008; and Ellen Stewart, 2001-2004). Beginning in the late 1960s, the Seven Against Thebes has received multiple new readings: at stake are Eteocles’ and Polynices’ relationships with the (past and present) Labdacid dynasty; the brothers’ claims to the Theban polis and to their inheritance; and the metatheatrical implications of their relationship to Oedipus’ legacy. This previously forgotten play provides a timely response to the power dynamics at work in the contemporary US, where the fight for ethnic, cultural, economic, and linguistic recognition is a daily reality and always involves dialogue with the individual’s own past and tradition.
(2000), Aeschylus . Seven Against Thebes, Mineola, New York: Dover Publications , Inc. – (trans.) (1908), The Suppliant Maidens, the Persians, the Seven against Thebes, the Prometheus Bound of Aeschylus , London: Macmillan."
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